How to be a Good Fighting Game Community Member

The Fighting Game community has different social expectations than a lot of other areas of public life, and gaming. There is a different idea of what’s considered fair, what’s considered cheating, and what sort of behavior is expected. The FGC has its own social contract you could say. Admittedly, some of this article might just be projection on my part, of what I want to see in the community, or what I imagine the community is like, more than what is actually community norms. Some of these guidelines are going to partially restate each other.

  1. No one is expected to play at your level. Nobody is obligated to go easy on you.
  2. No one is expected to refrain from any particular tactic or character pick, especially a winning one.
  3. You are responsible for your negative emotions, and it is your responsibility to not lash out at other people.Trash talk is expected to be in good fun, and not borne out of a personal grudge.
  4. You are responsible for your character picks and your choices of tactics.
  5. If you think something is broken or unfair, start using it. There is no honor in choosing to lose.
  6. It’s okay to want the game to be different (whether it’s about balance or focus), but that should be separate from hating the game or players.
  7. It is polite to acknowledge and celebrate your opponent’s successes, especially when they exploit your habits or knowledge. Especially when they win in a dirty or lame way.
  8. Take responsibility for your mistakes or shortcomings, but don’t use them as excuses.
  9. It’s up to you to take improvement seriously.
  10. Don’t disrespect the other person’s skill level.
  11. It’s not your job or anyone else’s job to haze newcomers.
  12. Don’t be afraid to ask people for games. (and don’t apologize for being bad)
  13. Don’t keep secrets about how your character works.
  14. Keep a spirit of open collaboration.
  15. You’ll get better advice if you ask specific actionable questions about game scenarios, and you might not get any advice if you ask too broadly.
  16. Be willing to pick up new games. (corollary, don’t be that bitch that holds up brackets)
  17. Welcome new players and 0-2ers.
  18. You’re not the main character.
  19. Exploit every advantage available to you, but keep it in the game. Don’t be rude outside the game.
  20. Focus on self-improvement instead of results.
  21. Play to win, especially in tournament.

Altogether, the spirit of the fighting game community is that this is a place to take the game seriously, but not personally. You have a responsibility to yourself and your opponents to play your best, and never hold it against anyone else playing their best, no matter what style they choose to play.

I feel like the community has forgotten some of these when I see saltiness over people picking top tier characters, or complaining about characters or tactics they don’t like. It’s okay to want the game to be different than it is, but remember that as a competitor, you should take advantage of even the things you think are unfair or boring. A lot of modern fighting game discussion has devolved into complaining over increasingly small and ineffable imbalances in the most balanced games in the history of the genre. It would probably serve us all to have some grace and to move on to games we enjoy more when we’re not happy. There are hundreds of amazing fighting games out there, we don’t have to stick with games that make us miserable just because they’re new and popular.

All in all, have a fun time and treat your community and your competitors right. What makes the scene magical is us.

No More than Mashing

Mashing is when a player rapidly presses a button or buttons as fast as they can. Mashing is one of the simplest video game skills. It’s worth recognizing that mashing is actually a skill. Some people are better at mashing than others. People devise techniques for mashing most effectively. Mashing can vary by game. Mashing isn’t always recognized as a skill, because many people do it in order to avoid learning how to play certain games, and other people deride some games as “button mashers”.

There are a lot of reasons to mash buttons in all sorts of games. If you want to perform an action at the soonest possible moment, then mashing is a good way to guarantee you’ll be close, especially if you don’t know exactly when to press the button. If you want to hit a tight window, then mashing similarly gives you a lot of chances to align a button press with that window. If you don’t know how to play an action game with a lot of similar attacking moves, then mashing all the buttons can be a way to of useful results. If a move has a short or no recovery time, then mashing can help you perform that move as many times as possible in a second. And of course, some games include minigames and special moves that rate how fast you can mash.

Continue reading

Roger Ebert was Right About Video Games and We Have Failed Him

Disclaimer: I know I’m dredging up a long dismissed argument from 10 years ago, and discussing it in all the same tone as people did back then, despite everyone having moved on. My core thesis is that the settlement to the argument was based on a miscommunication which solidified into apathy, without a real understanding of the form of the argument, and I think the topic deserves more consideration, because games are art, but the people arguing that ten years ago were right for the wrong reasons.

Over 10 years ago in the late 2000s, it was fiercely debated over whether or not games were art. Famous film critic Roger Ebert threw his hat into the ring by declaring that games are not art, and never will be art. Before he died in 2013, he half-heartedly recanted and admitted that some games were probably art, but more than anything, it feels like he kind of rolled over in response to a massive amount of backlash, rather than actually having a point made. Especially since a year before he died, he sent out this tweet:

The game that critic was talking about was DARK SOULS by the way. And you can read the article, it’s an incredibly uncharitable take on the game, but it’s also looking from the wrong perspective. Ebert, and everyone who argued against Ebert, were all looking from the wrong perspective. They weren’t arguing over whether or not games (interactive systems of play) were art, they were arguing over whether the software products we call games happened to have art packaged alongside the interactive systems of play. They were arguing over whether these interactive systems were art-adjacent, not whether they themselves were art. In other words, “Yeah, the game isn’t art, but look at all this art we included alongside it!”

Continue reading

Game “Loops” are an Illusion

Game Loop has become an industry-standard piece of terminology for video games. It’s taken as a default, a forgone conclusion, or necessary for a game to function. It has a role in game development similar to 3-act structure or the Hero’s Journey in storytelling. These structures are presented as inevitable, ever-present throughout history and culture, and essential to good storytelling or game-making, but many stories and games don’t follow these structures and are still successful and well-regarded.

Some people argue you cannot make a game without loops, or tell a story without 3-acts, or say that the Hero’s Journey is the monomyth from which all other stories derive, but there is nothing definitionally inherent to games or stories that necessitates these things.

Continue reading

Yellow Paint is Fine, Actually

Recently footage of Final Fantasy VII: Rebirth was released, and it contained a shot of The Yellow Paint that we keep seeing to denote objects in the environment that can be climbed or otherwise interacted with. Kayin wrote an article on this, and it inspired me to write my own take.

What’s wrong with Yellow Paint?

So, why do people kneejerk hate the yellow paint? People hate the yellow paint because it “breaks their immersion”, since there’s no diegetic reason why every single ladder, cliff face, or vaultable cover would be splattered in the same yellow or white paint and because it makes them feel like they’re being treated like a child, needing to have the interactable part of the environment highlighted so they can progress.

Continue reading